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    <pubdata type="print" name="DailyStar" date.publication="20250218T000000+5.30" edition.name="Lifestyle" edition.area="LYF" position.section="DST18022504LYF-Ls" position.sequence="4" ex-ref="DST18022504LYF-Ls.indd" />
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		<lang class="3" colour="#fab900" orgstyle="SPAN HEADING 2" style="Headline1"  font="CampaignFranklin2007" fontStyle="Large" size="65">THE FADING CRAFT:  </lang>
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		<lang class="3" colour="#000000" orgstyle="SPAN HEADING 2" style="Headline2"  font="CampaignFranklin2007" fontStyle="Large" size="48">Can we save Tangail’s handloom industry?</lang>
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">But despite his experience and skill, Shajahan earns no more than Tk 200 a day — a sum that barely covers basic necessities. His earnings depend on how many sarees he weaves, which, on a good day, amounts to two or three sarees. He uses semi-automated looms, while his daughter, like many women in the village, contributes by spinning, dyeing, and preparing the threads. These women, working from home while juggling household responsibilities, earn only Tk 40 to Tk 50 a day.
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">With visible worry on his face, Shajahan shared his concerns about the future: “Children don’t want to take up this work anymore. I keep saying, this craft should continue, but they don’t see a future in it.”
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Bold" size="9">An industry on the brink of collapse</lang>
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">“At one point, Balla Union was home to around 50,000 weavers, each household buzzing with the sound of handlooms. Today, fewer than 3,000 to 4,000 remain. The rest have abandoned the trade, unable to pay their debts, forced into other forms of labour,” informed Abu Talha, President of the Balla Union Traders’ Association.
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">The history of Tangail taant is rooted in the artistic expertise of Bengal’s weavers. Tangail sarees have long been celebrated for their lightweight texture, fine weaving, and elegant motifs, and both men and women engaged in the intricate process, from spinning the yarn to dyeing, designing, and finally, weaving the fabric. 
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">However, this craft is slowly fading and our glorious taant industry is on the brink of collapse. 
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Bold" size="9">Handwoven vs power looms: A struggle for fair prices</lang>
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	<lang class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">While the charm of handwoven sarees lies in their craftsmanship, their survival is threatened by cheaper, mass-produced alternatives. When asked about whether they still use traditional handlooms, Abu Taher, a </lang>
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<lang  class="3" style=".Bodylaser" colour="#000000" orgstyle="BODY LS" font="Myriad Pro" fontStyle="Regular" size="9">, explains, “Handwoven sarees have greater value. But how much can we even sell them for?” 
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