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ENTERTAINMENT’S RISING STARS
JUBORAJ SHAMIM’S ‘ADIM’
A triumph of independent filmmaking
“Jaya Apa was very eager to watch the film since its release. However, she couldn’t watch the film in the theatres, but she still attended the film screening in BUET. It’s an achievement for me that I was able to create an urge to watch my film in them”
ANTARA RAISA
When filmmaker Juboraj Shamim embarked on his crowdfunded project Adim , he was driven by the conviction that genuine work finds its own path.
“When you do something right and from your heart, your work finds its own course. I was confident about my work, that if I did it the way I envisioned, it would definitely make some waves and it did,” shared Juboraj Shamim.
Confident in his vision, he poured his heart into the film, anticipating its impact. However, disappointment loomed when Adim was not selected for prestigious film festivals in Venice and Locarno.
Reflecting on those moments, Shamim admitted, “I questioned whether my film would meet the expectations of the audience. I also had doubts about its release in Bangladesh. Fortunately, everything fell into place, and now the film is thriving.”
Since its release on May 26, Adim has been making waves in the industry, garnering praise from noted artistes such as Jaya Ahsan, Nasir Uddin Khan, Imtiaz Barshon, Ashna Habib Bhabna, and Matia Banu Shuku. The film has also received accolades at international film festivals, including the Silver Saint George (Special Jury Award) and Netpack Jury awards at the 44th Moscow International Film Festival.
Shamim expressed his gratitude for the interest shown by renowned stars like Jaya Ahsan and Nurul Alam Atique, highlighting that every film has its specific audience.
“Jaya Apa was very eager to watch the film since its release. However, she couldn’t watch the film in the theatres, but she still attended the film screening in BUET. It’s an achievement for me that I was able to create an urge to watch my film in them,” he added.
While mainstream cineplexes discontinued screenings for commercial reasons, Shamim remained undeterred. He opted for an alternative approach, ensuring that audiences from different districts could still experience the movie.
Amidst the positive wave the Bangladeshi film industry is experiencing, Shamim shared his thoughts on the recent Eid releases. Although he hasn’t watched any of the films, he acknowledged the buzz surrounding Priyotoma and Shurongo .
“Personally, I don’t think I have the ability or talent to make such big-budget commercial films, but I think the industry needs films of different genres. Not all films will be commercial hits, but we have to remember that because of these commercial films, our cinema halls are being rejuvenated,” he said.
Unfazed by the commercial underperformance of Adim , Shamim emphasised that he consciously chose this path. “I knew this film wouldn’t attract a large audience or be a commercial hit. My focus was on authenticity and originality. While it may not be commercially successful, it has transcended boundaries and ignited discussions. I am content with the outcome, and truth be told, I believe I will recoup the film’s budget.”
Furthermore, Shamim announced his intention to return the film’s profits to its shareholders.
Adim delves into the lives of slum dwellers, poignantly depicting their relentless struggle for survival and dignity, amidst poverty and deprivation. Shot exclusively in a Tongi slum, the film features a predominantly non-professional cast, adding a layer of authenticity to their portrayals.
As Adim continues to amaze the audiences and defy expectations, Juboraj Shamim’s unwavering dedication to authentic storytelling has earned him a place in the industry’s spotlight.