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Kim Ki-duk's Pieta wins Venice

Reuters, Venice
South Korean movie "Pieta", an ultra-violent story of a loan shark confronted by a mysterious woman claiming to be his mother, scooped the Golden Lion award for best picture at the Venice film festival on Saturday.
The other big winner on the night was Paul Thomas Anderson's "The Master", loosely based on the early days of Scientology, which earned him a Silver Lion for best director and a joint best actor award for Philip Seymour Hoffman and Joaquin Phoenix.
Critics praised Pieta's visceral portrayal of a twisted story of love and revenge, difficult at times to watch but also absorbing and moving in equal measure.
Director Kim Ki-duk sang a traditional Korean song "Arirang” as part of his acceptance speech, and later told reporters: "This is a song that we Koreans sing when we are sad, when we feel alone, when we feel desperate, but also when we're happy.”
Asked how he felt about receiving the award, he picked up the Golden Lion and kissed it.
Hoffman, playing a character based on Scientology founder L. Ron Hubbard and Phoenix as his troubled, volatile protege, were clear front runners for the acting
prize and both are expected to be in the frame when Oscar nominations are announced.
Hoffman rushed back to Italy to accept the awards on his own and his colleagues' behalf.
"I just got off a plane, like, five minutes ago, literally," he told the red carpet awards ceremony.
He went on to praise Phoenix, who was back to his best form in "The Master” after several years in the acting wilderness.
“Joaquin Phoenix is a life force in this film... and I kind of rode that life force and that was my performance".
In examining the founding of the self-described religion of Scientology, Anderson tackled a topic many filmmakers would consider taboo.
He confirmed he had shown the film to Tom Cruise, a leading Scientologist, and said the two were "still friends”.
Austria's Ulrich Seidl picked up the Special Jury Prize runner-up award for "Paradies: Glaube" (Paradise: Faith). Hadas Yaron was named best actress for her performance in "Fill the Void”. The screenplay award was won by Olivier Assayas of France for his 1970s political drama "Apres Mai", and Italy's Daniele Cipri was named winner of the cinematography category for "E Stato II Figlio".
Notable films that did not figure among the prizes included Terrence Malick’s "To the Wonder”.