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Love him or loathe him? Terrence Malick film splits Venice

Reuters, Venice
Terrence Malick divides opinion like almost no other director working today, and "To the Wonder”, his impressionistic and virtually dialogue-free story of love and faith, was booed as loudly as it was cheered at the Venice film festival on Sunday.
The movie is the reclusive American director's second in two years, after "The Tree of Life" won the Palme d'Or for best picture at the 2011 Cannes film festival.
“To the Wonder” is competing for the equivalent prize in Venice, the Golden Lion, as one of 18 main competition entries, although if it emerges victorious at the closing ceremony on Saturday it would be a major surprise.
The publicity-shy Malick was not in Venice to promote his movie ahead of its red carpet world premiere, but more surprisingly the only lead actor in Italy for inter-
views and photo shoots was Olga Kurylenko.
Co-stars Ben Affleck, Rachel McAdams and Javier Bardem did not make the trip, adding to a sense of anti-climax surrounding one of the most eagerly-anticipated titles of the festival.
“To the Wonder” centres around Affleck and Kurylenko, the Ukraine-born actress until now best known as Camille in Bond film "Quantum of Solace", as a couple deeply in love yet unable to live together.
She leaves Paris for a small town in the United States, and after struggling to adapt to her new life, decides to return to France. Affleck's character has an affair with an old friend, played by McAdams, before his first flame returns.
Spanish actor Bardem appears as a troubled priest facing a crisis of faith, extending the plot into the realm of the spiritual from the physical and emotional.
The most controversial aspect of “To the
Wonder” is not the plot, however.
With only a few words of dialogue, it is voiced over by the characters uttering phrases like: "The world so far away, a ghost, ashes," and "Love makes us one, two, one."
Affleck is virtually emotionless, the camera circles its subjects, there are many closeup facial images shot into the sunlight, and characters dance, prance and twirl their way across fields, parks and gardens.
Malick may not care too much about what the critics say. According to his producer Sarah Green, who was in Venice, he does not read reviews and is too busy making movies.
The world had to wait 20 years between his 1978 movie "Days of Heaven" and "The Thin Red Line", and he has still only released six feature films in nearly 40 years, adding to the mystique surrounding the 68-year-old.
"No he's not here," Green told a news conference, when asked whether he was in Venice incognito.