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Painting a country's soul

Takir Hossain travels through light and colour
Shohag Parvez, considered one of the most devoted among contemporary Bangladeshi painters, has a zeal for portraying the splendour of nature, serene environment, riverine life, cloudy skies and hilly areas. He believes that we are all part of nature, but some of us closely observe nature with intense passion.
In recent times, the artist has published Nature of Bangla, which demonstrates his recent artworks in several mediums and varied styles. There are three articles in the book, one each by noted architect and art critic Shamsul Wares, historian Muntasir Mamun and the book reviewer himself. Definitely, Shamsul Wares' worthy article has added a different aesthetic dimension to the book. Wares has tried to depict the significant aspects of Parvez's paintings and their varied aspects. The critic writes, “Shohag's ability to draw mass, volume and texture and to create sensitive compositions are remarkable. His paintings are fresh, nascent and provide the spectators a sense of pleasure. His drawings and sketches are lively and have the right kind of restraint. He knows where to stop.”
Shohag Parvez is simultaneously a water colourist and oil painter. His water colours are superb in terms of his personal techniques and in creating the effects of water. The artist's technique is particularly based on flat wash and thin colour. He seeks to depict the sparkle and simplicity of nature.
The book is a collector's pleasure as there is a lot of variety in it. The pictures are bright and vibrant, with the book being divided into genres like acrylic, oil, water colour, poster colour, drawing and sketch. On reading the articles, a reader can easily get a clear conception about this earnest painter and his contributions to contemporary art in Bangladesh. The artist has tried to bring all his important works to light in the book.
Shohag began his career as a naturist painter, demonstrating the panoramic world with its rich abundance of colours, views, light, shade and calm. He prefers seasonal changes, tranquil landscapes, ponds, lakes, mustard and green paddy fields in autumn, rainy days and blue skies. Solitude and serenity are two vital components in Shohag's works. The subjects of his works are in a solemn mood and their characteristics are consistently highlighted.
Lighting is a prominent feature in his paintings and the artist generally prefers incandescent light and mystifying settings. At times, his figures (villagers, farmers and ethnic people) look immobile and impel us into reflecting on their experiences. The painter feels he must demonstrate their everyday woes and bliss on his canvas.
Shohag has delved deep into the ambience of winter and foliage, the beauty of rivers and rustic culture.
Shohag's quiet and profoundly meditative landscape contains a symbolism that alludes to peace and hope in nature. The paintings appear more serene because of its lucid colours. He produces plain air water colour and focuses his attention on impressive phenomena such as soft light and drizzle, which reflects his detailed study on landscape. His acrylic and poster colours have varied tonal effects, detailing the focus. Azure, emerald green, yellow, black and white are predominant aspects in his works. Villages, ships, boats and villagers' chores have been depicted in his works. His lines are very lyrical and spontaneous. A scrupulous balancing of light and shade is another trait in his works. The painter's works have a pictorial space where boats and ships are immersed in the river and in waterways. His works emerge in lively form.
Takir Hossain is on the Arts & Entertainment team, The Daily Star.