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Movie Watch

Public Enemies: A legendary bank robber captured at last
"Public Enemies" is a welcome adult alternative to sum mer's sophomoric blockbusters. The only transforming going on here is actors skilfully taking on roles of '30s-era gangsters and lawmen.
Director Michael Mann ("The Insider") mounts a technically proficient, visually enthralling crime drama anchored by the low-key but captivating performance of Johnny Depp as legendary bank robber John Dillinger.
Christian Bale is one-note as Melvin Purvis, the lead FBI agent on the case. His efforts to nab Dillinger are juxtaposed against the fugitive's cocky bravura in outwitting teams of law enforcement
Dillinger seems impervious to capture, cleverly escaping when outgunned and surrounded, dodging flurries of bullets and brazenly taunting the authorities by hiding in plain sight
A memorable scene features an almost impish Dillinger sitting in a crowded theatre while a newsreel projects his larger-than-life image on the bigscreen.
Some might be put off by the high-definition photography and handheld-camera shots, but it suits the story, which is anchored in historical accuracy. The production design, costumes and evocative score add to the film's sense of authenticity.
The tale is no biopic. Mann avoids armchair psychology, forgoing childhood flashbacks and focusing tightly on a distinct period in Dillinger's life.
Shortly after the film introduces Dillinger, he falls in love with Billie Frechette, a beautiful hat-check girl played by French actress Marion Cotillard.
Depp and Cotillard have palpable chemistry; their romantic scenes are some of the movie's finest.
Depp plays the glamorous Dillinger with a subtly simmering charm while avoiding theatricality. Mann photographs him in tight close-ups, which heighten his appeal. But Dillinger remains enigmatic. Billy Crudup as the histrionic FBI head J. EdgarHooverisperfectlypitched.
Regarded as a lafter-day Robin Hood, Dillinger was a folk hero to the masses. He often insisted he robbed banks but not the common man.
In addition to being timely in its depiction of banks as symbols of villainy, Mann's story is a commentary about the ineptitude of law enforcement.
An action film that feels like an epic, "Public Enemies" is an