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Michael Haneke’s The White Ribbon wins Palme d’Or
A two-and-a-half hour black and white film about German village life in 1913 with no music in the soundtrack won top prize at the Cannes Film Festival for Michael Haneke on May24.
The German director was among the favourites for the Palme d'Or four years ago for his enigmatic thriller "Hidden," which became an international art house favourite but lost out to the Belgian Dardenne brothers.
His success this year at Cannes was greeted with roars of delight at the Grand Theatre Lumiere on a night when major awards went to two of the critics' favourites and the rest were shared out between some of the most controversial, even ridiculed films in the competition.
Critics have interpreted "The White Ribbon" as an investigation of the roots of German fascism, but Haneke said that he intended it to have a much wider resonance as a warning about how any absolute
value system leads eventually to terrorism.
The second prize, known as the Grand Prix, went to "A Prophet," a gripping French prison drama directed by Jacques Audiard, which was the best reviewed film of the festival overall. But most of the other awards came drenched in gore.
Charlotte Gainsbourg, the daughter of the French singer Serge Gainsbourg and the British actress Jane Birkin, won Best Actress for "Antichrist," in which she tortures Willem Dafoe and mutilates herself. Christoph Waltz, who plays a suave but vicious Nazi known as the Jew hunter in Quentin Tarantino's "Inglourious Basterds," was named Best Actor. He demonstrated a similar ability in languages as his character, making his acceptance speech in French, English and German.
The biggest shock of the night was the Best Director award, which went to the Filipino Brillantc Mendoza for his grisly kidnap film “Kinatay," one
of the most reviled films in the competition. Apart from Gainsbourg, the only recognition for British talent was for Andrea Arnold's "Fish Tank," which jointly took the Jury Prize (effectively third place) with "Thirst,"
a Korean vampire film.
The 2009 festival was one of the most eagerly awaited in years because of the number of major directors with new films, including Ken Loach, Jane Campion, Ang Lee,
LarsVonTrier and Pedro Almoddvar.
Variety, the film industry's trade newspaper, billed it as a “heavyweight auteur smackdown.” Although several individual films disappointed -- notably Lee'seasygo-ing but bland "Taking Woodstock" and Gaspar Nog's messy and very long "Enter The Void" -- the overall quality was high.
There was a starry Hollywood event -- the premiere of Tarantino's "Inglourious Basterds" with Brad Pitt •- and one of the most shocking films ever screened in Cannes --"Antichrist. " Both sharply divided the critics.
However, until the moment that this year's jury president, the actress Isabelle Huppert, announced “with a certain emotion” that the Palme d'Or would go to a director she had worked with twice herself, the result was in doubt. There were tears in her eyes as she hugged Haneke on stage.
Source: Internet